Sometimes, ever so rarely, a movie will come along from a junk genre, like exploitation–I’m thinking Texas Chainsaw Massacre here or, possibly, Wolf Creek–or slasher–Halloween, Nightmare on Elm Street–or Blaxploitation–Across 110st Street and Sweet Sweetback’s Baadasssss Song, a movie that transcends it’s genre and wades into mainstream cinema. I have a soft spot for such […]