Do I recommend the thriller Revanche?
It should be simple to answer, right?
Just a yea. Or a nay.
But it’s not…simple. Not for me.
If you’ve read my blog before then you know I can’t…that I’m just not capable of one word answers. You know that…not that there aren’t exceptions to the rule…it’s like grammar…English…there’s always an exception.
Case in point…Die Hard. Now, I could give it a one word answer…review…what have you…and be done. It would be bold–just like the sobriquet character, John McClane.
But Revanche is not like that. Revanche is much more nuanced. It’s foreign. Artsy. There are no easily discernable tropes that scream–this is a thriller. It’s not taut…it meanders… but not in a hazy, surrealistic way. And there are subtitles.
So what’s the plot, you ask?
Well, revanche is French for revenge so it’s a revenge yarn. And when I say yarn, I’m using the term metaphorically… like it’s actual yarn. That doesn’t make it bad…if you like knitting. Or crochet.
But, here’s the twist…or I should say, a twist…Revanche is an Austrian film. And Austrians speak German. In the German language Revanche has a double meaning. It means revenge, yes…but it also means re-match…or second chance.
Anyhoo, there’s this young woman. Her name is Tamara. She’s being sex trafficked. Despite this…and worrisome cocaine habit…she has retained a gentle childlike quality that glints unexpectedly…like when she clasps her hands and prays.
Tamara has a boyfriend…an ex-con named Alex. He works for the traffickers, but he’s not a bad guy…he’s just lazy…and scruffy. He is also madly in love with Tamara.
Alex devises a plot to rob a bank so they can escape and start a new life together. He’s very enthused and pleased with himself over this caper.
Tamera?…not so much.
Alex tries to assuage her by demonstrating that his gun isn’t loaded. He does so by putting it to his head and pulling the trigger. He likes to do silly things like that…things that border on creepy…like pointing the gun at Tamara…and waking her up with a ski mask covering his face.
Needless to say Tamara is not assuaged…she won’t sign off unless he takes her with him . Alex reluctantly agrees, but makes her wait in the car while he robs the bank. He laughs at her when she prays.
Oh…the car. It’s blocking an alley…so there’s that…and of course a cop comes a long…
Alex manages to escape with the money, but not with Tamara. He’s devastated… and very pissed off. He hightails it to his grandfather’s rustic, rural home where he hides out…and relentlessly chops a mountain of wood.
At first grandpa is none too pleased to see Alex–let alone put him up. Alex says his mom told him to come help. Grandpa is skeptical. He’s aware of his grandson’s indiscretions with the law…just not this latest one…plus Alex barely says two words to him.
But gradually…remember what I said about the yarn?…their relationship begins to thaw. Much to his surprise, grandpa actually benefits form the arrangement. Now that he doesn’t have to shoulder all the chores, he has more energy. He takes up playing the accordion again.
Grandpa has a young woman friend…a neighbor who looks in on him from time to time. Her name is Susanne.
Susanne desperately wants a child…she has recently miscarried…but her husband, Robert, suffers from some psychological issues having to do with a trauma suffered at his job. He is rarely interested in intimacy of any kind.
Even though it’s out of her character…she’s a very nice woman…Susanne throws herself at Alex. He makes it monosyllabically clear that he wants nothing to do with her. But she persists.
Then one day while Alex is grocery shopping with grandpa, he overhears Susanne…she works at the store…talking about a bank robbery. She says her husband, Robert, happened to encounter the robbers…a man and a woman…in a car…blocking an alley…

Very good movie. The title suggests revenge, but it’s about how a person overcomes the desire for retribution. I also recommend “Antares”, an earlier film by Götz Spielmann.
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Thanks for reading. I agree, it is a very good movie. I was hoping you’d comment. And yes, I’ll watch Antares. Cheers.
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Pam…if I owned a movie company…I would want you to review it because if you like it…everyone else would want to see it after reading your reviews.
I watched Creep again the other night and thought of you….and Creep 2.
This one sounds really interesting…I want to watch it to find out what happens to Tamara
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You’re very kind, Max. Thank you.
I think you and Bailey would like Revanche. Remember, it’s a slooow burn.
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Ok…I’ll mention it to him in a few minutes…I think we will like it. We are going to see the Dylan film on Christmas Day.
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Oh good! Hope you do a write up on it.
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German language, English subtitles, European atmosphere, and some psychology thrown in. This is right up my street. Thanks, Pam.
Best wishes, Pete.
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It’s a very atmospheric film, Pete. Yes, I think you’ll enjoy it.
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Love your review Pam, I will check this one out!
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Thanks June. Please do. Revanche is a very literary film.
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Love seeing you on here June 🙂
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Thrillers aren’t my thing, as you know. But I always enjoy your reviews!
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Thanks DW. I’ve been thinking about you. How are you feeling?
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Great review Pam 🙂 I have not seen this yet, but I should probably check it out because I love foreign films every bit as much as I do American/English-Language ones 🙂
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Thanks John…and yes, I know that you are much more international than I am cinematically.😊 Please do check it out. The direction is superb.
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BTW Pam 🙂 I have been listening to a Rockabilly group from North Sweden recently named the Pepita Slappers. They are not really big or anything (or at least not here) but the songs have listened to so far are just addictive. Here is one of my favorites from them below 🙂
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Very cool, John. I’m really into Rockabilly. It’s fun. Energetic. Deft. Love that twangy guitar.
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Why thank you Pam 🙂 Sweet and tuneful at the same time 🙂 I added two more titles on my Christmas recommendations list btw 🙂
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Well, I see Bad Santa…yes, it’s very funny…and there’s a fair bit of Christmas spirit mixed in–thank goodness!
I really love Zwigoff’s Crumb and Ghost World, both of them I favor over Bad Santa, but, of course, they aren’t Christmas films.
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Oh make no mistake Pam 🙂 I too rank Crumb and Ghost World higher, but as you stated, they are not Christmas films 🙂
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BTW, I watched Love Lies Bleeding the other night. Well actually I started the movie sooner, but abandoned it. Not because I thought it was subpar–hardly, it’s a very solid, well orchestrated neo-nior/thriller–but the sex scenes were too too for my taste.
But I returned to it and saw it through and I’m glad I did…if not just for the last 15 minutes of the film. While I was initially unimpressed with the steroids sub-plot, the ending made the it worthwhile and integral.
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Well I am glad that you stuck to it Pam, but I think the tone of the film fit the extremity of the sex scene because If it was restrained, it just would have felt out of place. For example, the sex scene in Carol is restrained, but this is because it has to fit the tone of the film. Plus, director Rose Glass, who also wrote the film, knew exactly what she was doing and I read somewhere that some women who saw the film literally fell in love with co-star Katy O’Brien. Any female director, who can get a female audience member to feel that is doing something right. For me, the sex scene ranks up there with the one in NIcolas Roeg’s Don’t Look Now between Julie Christie and Donald Sutherland. Erotic and tender at the same time. Thoughts? 🙂
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I think you make a good argument for, if not explicit, then gritty sex scenes. Lol! But I can do without them.
Please don’t think I’m being condescending, because that’s not my intent. It’s just that I think there are more subtle and interesting ways to project sexuality on screen, whether the sex be tender, gritty, sadomasochistic, queer, what have you.
Don’t Look Now–that sex scene–I think it could have conveyed the same urgency, the grief, the sexual relief of grief and the same tenderness without the explicitness. That’s just me. It’s the same with the film I just reviewed, Revanche. It has some very explicit sex scenes that I chose to ignore in my review.
As for Katy O’Brien–I’ll take your word for it. I’m sure there’s a subculture for that attraction and, as with any subculture, there is always some crossover to mainstream. But I don’t personally see it. I thought both O’Brien and Kristen Stewart were very unattractive in this film. But that’s okay…it didn’t appeal to me in that way…so what? It was a very well directed film that met all it’s objectives. I thought Katy O’Brien was fine, acting wise, while Stewart was superb. Her ability to convey a very subtle inner monologue is uncanny. She’s a gifted actor.
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Well, I hope I haven’t offended you, John…but I’m afraid I have.😞
I am a frank person. I say what I mean–hopefully with tact. There is no real friendship if there can’t be honesty, if there can’t be civil disagreements–especially about film, when it, like any artform, is so subjective.
I understand that film is very personal–and very personal to you in particular, but how can we discuss it if we’re going to be offended by another’s opinion of it? I would really like to hear your thoughts.
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Pam, I did not mean it that way at all 🙂 I am actually enjoying this conversation 🙂 I was just expressing what I am told to do to convince people about selling a film to somebody. I am so sorry If you took it the wrong way. I just love having these conversations. It was by no means at attack like that or anything. I am so sorry If this was taken the wrong way 🙂 Let us continue talking because I love your friendship 🙂
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Please don’t apologize…it was me. When you didn’t respond (as quickly as I thought you should-geez! Embarrassed) I thought that I had offended you.
Anyway…the director of Love Lies Bleeding…I hear good things about her. I don’t think I’ve seen any of her films…nope…haven’t seen Saint Maude.
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No I feel I should Pam 🙂 The reason I did not respond quicker was because I had to make dinner 🙂 As much as I love Love Lies Bleeding, I will admit that it is not a film that I hold dear like I do with Vertigo. As you probably know, I warned people not to insult that film on my site 🙂 You never offend me Pam 🙂 Also, let us be honest, Love Lies Bleeding is not a film for every taste 🙂 I loved hearing your opinion 🙂 Also, let us not forget, you were not a big fan of Showgirls and I survived that opinion – I just moved on to some other film to talk about 🙂 Question: I do not know If it is just me, but Love Lies Bleeding has this certain art house feel to it? 🙂 Thoughts? 🙂
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Oh, yes…definitely with the steroid subplot. And that mixture of art house and gritty neo-noir was a bit off putting to me–until the director went all in the final 15 minutes. That sequence when Ed Harris gets his comeuppance is brilliant. It ties that subplot into the rest of the film in such away that I not only got it (what the director was doing) but I applauded it.
I mean…that’s audacious. That makes a statement and I loved it.
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I hear ya Pam 🙂 I mean it is no surprise that A24 was the distributor of this film because they are willing to put up the money for independent crime thrillers. Today, I do not think that bigger name ones like Warner Bros or Universal would dare finance it. One would be lucky If it ended up as a sleeper hit, which is why in the end, only a company like A24 (Hereditary and Parasite among others) could have financed it. I applauded that sequence and I said to myself, it is amazing that Ed Harris still has that touch as an actor 🙂 And yes, it was totally audacious 🙂
I always love it when we converse back and forth 🙂
Speaking of which, you know what sucks? One of the last surviving cast members of Young Frankenstein passed away recently. Teri Garr 😦 What sucks about that is that will never be a cast reunion for that film, but some of the actors passed away either recently or decades back 😦 Mel Brooks is still living though and thank goodness 🙂
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I think you commented about A24 when you first mentioned the film…I didn’t know anything about the production house except it financed Zone of Interest which I thought was brilliant…no I’m wrong…I’ve five or six films from them…Uncut Gems, Ex Machina among them.
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OMG, wasn’t Uncut Gems brilliant Pam? 🙂 Though I have not done in this in a while, I one time watched Michael Mann’s Thief and Safdie Brothers Uncut Gems in a row and it was just an awesome experience 🙂 The two would actually make a dynamic double-bill? What do you think? 🙂
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At first…I was like no, I don’t think they’re complementary, but having thought about it…yes, I can see it in the progression of one film to the other…as if Thief is more tasteful, refined sibling, one that wears a splash of color carefully thought out and Uncut Gems is the is the risk taker that always looked up to the older, more refined sibling.
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You are right about that Pam 🙂 And yes, Thief does wear a splash of color whereas Uncut Gems takes a more raw-edged (for lack of better word) approach stylistically. Speaking of Thief, who can forget Tangerine Dream’s expressive music score? 🙂
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I think Thief is one of the best heist movies around. Overall, it’s a solid film…and the soundtrack–including the score–is awesome.
As for Uncut Gems, fantastic movie. I thought Sandler was exceptional. The Safdie brothers have a knack for frenetic pacing and color palate and palette. You can really see the Michael Mann and the Nicolas Winding Refn influences. That double bill you were talking about?…I would make it a triple: Thief, Uncut Gems (or Good Time) and Drive.
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And, yes, I was sad to hear about Teri Garr. I liked her…and she was wonderful in Young Frankenstein, as was the whole cast.
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She got to work some of the biggest name directors of the day – aside from Brooks, Steven Spielberg, Martin Scorsese, Francis Ford Coppola and Robert Altman to name just four additional ones 🙂
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So, I’ve really enjoyed this chat, John. But before I go…life before blogging, lol!…guess what is playing at the Belcourt theater tomorrow? Blast of Silence. I kid you not. I might go. I would love to see it on the big screen.
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OMG that is truly awesome Pam 🙂 I too would love to see Blast of Silence on a big screen 🙂 Maybe tomorrow or something, we can have another conversation because this was truly fun and lively 🙂
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Now I shall analyze your thoughts on Love Lies Bleeding Pam 🙂 Do not worry, this is a respectful analysis of your view 🙂
Btw, you are not condescending at all 🙂 In fact, your pros and cons are stated eloquently 🙂 As for your view of sex being more interesting when not so graphic is an interesting one 🙂 I think that is what intrigues us about the Classical Hollywood era. One was creative by relying on innuendo as opposed to showing.
I am aware how you feel about Don’t Look Now 🙂 I read somewhere that their is still much debate today on how it was shot (were they really or were they not having sex?) Speaking of which, I am pretty sure you heard about Donald Sutherland’s passing months ago. He will be missed 😦
Speaking of Katy O’Brien, I read that she is either is or was a bodybuilder in the past, but If so, it was inspired casting 🙂 As for Kristen Stewart, she has come a long way since the Twilight franchise and so has Robert Pattinson. Stewart has proved herself wonderful with films by Olivier Assayas – check out his filmography when you can 🙂
Also, guess what film just came to the Criterion Collection? Click the link below 🙂
https://www.criterion.com/films/29429-no-country-for-old-men
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[…] writing from Pam and one of the best writers I […]
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Another one that u have hooked me with. I’m a sucker for this stuff.
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Me too. I love the slow burn.
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This is a definite watch also.
Did you catch the Australian film ‘The Stranger’? I really liked that a lot. Took a chance on it and it payed off. Not everyone’s cup of tea. “Slow Burn” city.
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Yes. I watched in on Netflix. Loved it.
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We wont always agree but I see we are drifting to a lot of the same vibe. The Stranger was so good. Natural and real. Camera work grabbed me also. Love landscapes and a sense of environment. “Loved it” also.
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